Never Show Me the Prices for Euros Again
A quarter of a century on and history repeats itself. England are hosting the Euros, playing Scotland in the group stage, and football game's coming home once more. In 1996, it came home for the first time. It was the first major tournament England had hosted since the World Cup victory of 1966. England fans also hoped it was coming home in the larger sense – that the country was going to win the European Championship and finish xxx years of hurt. But despite the best efforts of a team fired past the maverick brilliance of Paul Gascoigne, England lost in the semi-final. On penalties, of course. To Federal republic of germany, of course. Plus ça alter, plus c'est la même chose.
Now it's 55 years, and the clock still ticks away relentlessly, mockingly.
For England football fans of a certain age, Euro 96 was a golden historic period – or golden three weeks. For those like me, not quite one-time enough to remember the Earth Cup victory of 66 in real fourth dimension, merely old enough to retrieve all the false dawns and muted dusks, that summer was special. Information technology wasn't simply the achievement – later on all, England reached semi-finals in 1990 and 2018 at the biggest tournament of them all, the Globe Loving cup, only neither resonated quite similar 96. It was a coming together of all kinds of things – style, hope, politics, culture, commerce, sunshine, under the cracking brolly of international football. Twenty-five years on, might information technology simply happen once more?
It all started with the song. On 26 May 1996 3 Lions entered the charts at No 1. There were still two weeks to go till the tournament began. David Baddiel and Frank Skinner, 2 comedians who hosted the football magazine testify Fantasy Football League, joined forces with The Lightning Seeds to record Three Lions. Baddiel and Skinner wrote the lyrics, the band's leader Ian Broudie came up with the tune. Broudie had a knack of building choruses ("Three Lions on a shirt/Jules Rimet still gleaming/Thirty years of hurt/Never stopped me dreaming") on peak of choruses ("Information technology'due south coming dwelling/It's coming/Football's coming dwelling") to create rousing anthems. And this was one of his all-time. Just information technology was different from nearly football tournament songs. 3 Lions wasn't swaggering, it was melancholy. It was a song to be sung more in hope than expectation.
The song became associated with the national flag, but once more it was different. This wasn't the union flag with its jingoistic connotations, it was the St George's flag. "What I notice well-nigh when I see footage of Wembley at Euro 96 is the flags and the joy," Baddiel says today. "And so I am assailed by a depressing sense that those two things wouldn't get together in the aforementioned way now. This was a specific moment; a particular window. The flags were being waved along with the singing of Iii Lions and information technology created a very unusual thing – a non-aggressive, not-triumphalist patriotism. If you waved a St George flag to Iii Lions, it didn't feel like you were waving a symbol of nationalism and racism. It was a soft, sad type of pride beingness expressed, not a vanquishing, overcoming i."
Now we are at state of war again, merely today we are engaged in civil war, fighting each other over our polarised behavior – Brexit, migration, wokeness. "Every action seems to operate as a node somewhere in the culture wars," Baddiel says. "Also many people would simply meet waving the flag as associated with a triumphant English language nationalism that has resurfaced, and has had big political consequences, since 1996."

The expression "culture wars" was unknown in 1996, but civilization was at the heart of everything. For the first fourth dimension since the 1960s it felt that our civilisation was booming. Art and music didn't simply happen to be British, it was proudly trademarked every bit such. Oasis and Blur fought for supremacy in the charts, with music that was distinctively homespun. Blur created vignettes of traditional British life in songs such as Country House and Park Life, while Oasis quoted our own history back at u.s.a. with Wonderwall (named after George Harrison's first solo album) and Don't Look Back in Anger (referencing John Osborne's classic kitchen sink drama). Music even managed, temporarily, to take the bile our of the union flag. In 1996, Noel Gallagher played a Union Jack guitar at Manchester Metropolis's Maine Road. A year later Geri Halliwell wore a Union Jack minidress at, y'all guessed it, the Brit Awards. Two decades subsequently cultural commentators such equally Jon Cruel and John Harris asked whether Britpop had contributed to Brexit.
Meanwhile, British art became a movement its own correct, championed by advertisement guru Charles Saatchi. Sensation, the exhibition of works past the Young British Artists, crowned him every bit a visionary collector and the likes of Tracey Emin and Damien Hirst as serious artists. Two years after the Euros, Hirst had a hit record as a part of the trio Fatty Les (alongside Blur's Alex James and actor Keith Allen) with Vindaloo – the unofficial theme song to the 1998 World Cup. Once again, football, art, branding and commerce were united.
The mid-90s was an astonishingly artistic era. Two decades on, the same names are ascendant in music and fine art. Britain is in a catamenia of cultural stasis.
I n the 1990s, football emerged from its decade of shame. The 1980s was marked by disaster after disaster: the Bradford fire of May 1985 killed 56 spectators, the Heysel tragedy only a couple of weeks later killed 39, and Hillsborough in 1989 killed 96. Football game had come to be seen as a killing field. Margaret Thatcher believed the sport was a stain on her dearest nation; that it represented the very worst of British – feckless working-class youths who simply wanted to fight.
Her regime tried to introduce identity cards and considered banning away fans, information technology fenced football fans in like animals, to horrific event at Hillsborough. Football game became a pariah; not a subject field fit for polite society. After Heysel, English clubs were banned from Europe, domestic gates cruel drastically, nobody wanted to be associated with football game except the diehard fans.
Merely by 1996, its paradigm had turned full circle. Football game was now regarded as part of our rich cultural package – a bang-up British export. (A twelvemonth afterward, new prime government minister Tony Blair officially united sport and civilisation by creating the Department for Civilisation, Media and Sport.) We were four years into the Premier League, and Television coin was transforming a sport and a lifestyle that even the politicians bought into.
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There is a wonderful news prune from October 1995 of Blair and Kevin Keegan at a leisure eye in Brighton. Both have removed their arrange jackets to play head lawn tennis, and you never saw a more than painfully focused Blair, every bit the ball bobbed back and along between him and Keegan. It wasn't simply a matter of saying he was a football fan, he had to prove that he loved the game, he played information technology, he had skills. Y'all felt the New Labour machinery had tallied the number of votes 10 head tennis exchanges with Keegan were worth. In the end Blair managed 27. He had passed equally a genuine football game fan.
"By 96 when that tournament was going on we were well ahead in the polls," says Alastair Campbell, Blair's former communications director. "People were expecting united states of america to win, so the political mood was all about New Labour and Tony."
After 17 years of Tory rule, maybe the only thing that could finish them apart from a massive Blair scandal was football. An England victory at the Euros could modify the mood of the country.

Campbell admits he was inappreciably loyal to England in 1996. First, despite beingness built-in in England he was a Scotland fan. And 2d, there was politics. "I was at the Germany game with Tony Blair. John Major was in the front end row, Tony was in the 2nd row and I was at the back with this Scottish Special Branch guy. Being absolutely frank, I wanted Germany to win, mainly because the Tories were and so drastic for England to win information technology. As we got out of the footing Tony said to me can you at to the lowest degree try to look a little bit pissed off. I got in the car and punched the roof and said 'Jetzt sind die Tories absolut gefuckt mein Kapitän'." He howls with laughter.
It'south tempting to think of this as a more innocent fourth dimension in politics and football, Campbell says, but it wasn't. "Don't forget Tony became leader on the dorsum of John Smith dying and everybody said John's death was going to pb to a kinder, gentler politics, but information technology didn't happen." As for football, big money was now running the game. The previous season, 1994-95, Blackburn had come from nowhere to win the Premier League because they were bankrolled by local steel magnate Jack Walker.
Campbell says one of the things he remembers most clearly from this period is how everything was meshing. Britpop helped define the Euros, and a few months afterward Blair was in power piggybacking on the entreatment of all things British. The era became known as Cool Britannia, not least because Blair invited the likes of Noel Gallagher to a party at No x three months after winning ability. "The Absurd Britannia thing wasn't a strategy, past the mode. Newsweek did a headline and it simply stuck," he says.
Campbell is flicking through his diaries for 1996. "Oh, hither'due south a good ane. 'November 5; good meeting with Alan McGee and Tony Saunders of Creation Records. They could go Noel Gallagher to practice stuff for united states but wanted us to take the music industry seriously every bit industry. We agree to organise a business meeting on that theme. They felt information technology was better to go along Liam away from Tony, but Noel's got his shit together, he said.' When we got into power and had that party at No 10 Noel was the one who came because Alan McGee said you don't want Liam there, he'll cause trouble. I'd forgotten that. That was in opposition I was seeing Alan McGee."
He continues flicking. "For the Labour party conference that yr the top line I designed for Tony's voice communication was 'Labour's coming home'." Hither it is. "September 29: Nevertheless arguing with Gordon Brown over Labour's coming home. He said he was really pissed off most it cos he wanted to do the same.'" Even before Labour got into power, Blair and Brown were cat-fighting over headlines. "He wanted to employ it and I said it was more important Tony used it considering he'southward the leader and you're not. That was the headline in a lot of papers the next twenty-four hours – Labour'southward coming home. It was a directly lift. So even though England hadn't won the tournament information technology was even so playing into that mood that had been created."
The idea of politicians paraphrasing a football song to win votes would take been laughed out of the Commons in the eighties. The sport's nadir was the Hillsborough disaster. After the Taylor report into the tragedy was published in January 1990, continuing was banned in the 2 top tiers of English football game. That summer the World Loving cup was held in Italy. Not only did England achieve the semi-final, but football seemed newly exotic.
"Italia 90 was a glamorous, glossy tournament, and they take Nessun Dorma every bit the theme melody," says commercials director Theo Delaney, who hosts the football game podcast Life Goals. "All of a sudden the middle classes wake up and think I rather like this – Italy, Pavarotti, we're winning, and we've got this fellow Gazza who seems clumsily practiced!" In 1992, Nick Hornby's football game memoir Fever Pitch, most his love affair with Arsenal, became a bestseller. The post-obit year poet and Spurs fan Ian Hamilton wrote Gazza Agonistes, an extended profile of Paul Gascoigne for Granta, with a lofty nod to Milton in its title. Football game was at present a muse for literary types.

Football, similar the Labour party, was being repackaged for the professional person classes. The Premier League was sold upmarket – more expensive seats, greater condolement and safer. At that place was a new audience of armchair viewers willing to pay a premium for a subscription to Sky Sports (then BSkyB). Whereas when I was growing up you would see highlights from a few matches a week on TV, now you could run into whatever number of live matches – if you were willing to stump upward the cash. The advertising coin from Sky and the glamour of the Premier League attracted the world'due south best players.
Delaney was already enlightened of how much football had changed considering of the impact it had on his piece of work. In the 1980s, the only commercials made about football were encouraging fans to go to games. Football was bringing the bacon dwelling house for the advertizing manufacture – literally so for Delaney who made Danepak commercials featuring Kingdom of denmark and Manchester United goalkeeper Peter Schmeichel. "I was making football ads all the fourth dimension by the nineties. If y'all were a commercials director who knew about football, information technology was a bloody bright time." Football and advertizing were now umbilically linked. Sky paid the football game clubs for the right to screen matches from its advertising (and subscription) acquirement, while the footballers flogged products in their commercials. The initial five-twelvemonth deal, for what now seems a mere £304m, ended in 1997. At present Heaven, BT and Amazon pay a combined £4.8bn over three years to screen live matches.
Every bit Delaney was walking to the stadium for England'due south semi-final against Germany, football game's new demographic really struck him. "I was with my brother Caspar and a lensman called Andrew Douglas, all of us in the advert business organisation. We walked up Wembley Style and the kickoff person we saw and recognised was AS Byatt. Andrew recognised her considering he had taken her portrait for the Observer, and he went 'As, Every bit!, what are you doing hither?' And she said 'I'm writing a piece for 1 of the papers because I've never been to a football match and they've sent me'. Then we bumped into Paul Smith, the designer. These were people who would non have been at any kind of football game match in the eighties. Another guy who went was 1 of the creative directors at Saatchi'due south. He was really a modest aristocrat, and he turned upwards late with a agglomeration of people from the agency and said 'Oh, do we take to wait for the interval before we go in?' considering he'd only always been to the opera and theatre!"
The players themselves were a mix of the old and new. Most were model modern professionals. And and so at that place were old schoolers similar Tony Adams and Gascoigne – players who could binge on burgers, drink themselves into a stupor, smoke themselves hoarse and all the same turn on the way a few hours subsequently. Adams, a recovering alcoholic who founded the habit clinic Sporting Risk, famously went on a 7-calendar week bender later the tournament.
Euro 96 could then easily have ended in disaster. It started with a drab 1-1 describe against Switzerland – a match England were expected to win. Next upwardly was the auld enemy Scotland. England were 1-0 upwardly when Scotland won a penalty in the 78th minute. If Gary McAllister had scored, England would take been in danger of falling at the first hurdle – not making it out of the group phase and beingness banished from their own tournament. Only David Seaman saved it.
A infinitesimal after Gascoigne did the unthinkable. He received a cushioned pass from midfielder Darren Anderton, flicked the ball over the head of confounded defender Colin Hendry and volleyed it into the corner of the cyberspace. The players celebrated past re-enacting "the dentist's chair". Gascoigne lay on the ground with his mouth open while players squirted a h2o bottle into his open mouth. The celebration was itself a tribute to another celebration – of Gascoigne's birthday in Hong Kong a few weeks earlier. On that occasion members of the England squad ended the night participating in a notorious ritual at a local bar known as the dentist's chair.

Anderton, anile 49, now lives in California with his wife. Final calendar month they had their starting time child, a male child called Jack. Every bit presently equally he starts talking about Euro 96, it'south obvious how much it means to him. "The crowds, the song, the goals, the pre-tournament. Everything. Apart from losing to Federal republic of germany in the semi-finals, there is nix only positive memories."
What is his strongest retention? "Probably the Gazza goal. That changed the whole tournament for usa." Anderton has good reason to call up the dentist's chair celebration. Equally well equally providing the vital pass for the goal, he had been there on the night. "There were 5 or six of the states. Just madness. The great affair was that Gazza being the main human being got all the abuse for the dentist's chair considering he was at the centre of everything. He just got on with it and he ever answered on the football pitch." What did the ritual involve exactly? "We'd had a few drinks and somebody said let's have a go at this dentist's chair thing, and they but sit us in the chair and pour a couple of bottles of whatever it is [Drambuie and tequila] in to your mouth. I met a couple of people who ran the bar a fleck ago and they were mortified information technology had come out. I of their staff had stitched the lads up. Nosotros got a hell of a lot of grief nearly information technology till that goal."
It sounds like a good dark out? "Ane of the best!" he says.
Later on the Gascoigne goal, Anderton says the whole nation was behind the team. "As we took the road to Wembley from Burnham Beeches where we were staying, more than and more than fans were on the route, more flags, and in one case we got to the quarters-finals and semi-finals information technology was literally the whole road going down the M4. I don't know what rock stars feel like just it must accept been a bit like that."
How much did the manager, Terry Venables, contribute to the mood? "He was the whole reason, to me. His man-management of players, situations, media was the all-time. He's a proper human being who on acme of it all was a genius when it came to managing a football squad."
And there was the song. The squad played it as they approached Wembley. They listened to information technology on the field before the lucifer, and against the Netherlands when England played arguably their greatest tournament football game since 1966, Anderton found himself joining the chorus while playing. "Usually when yous play for England you enjoy it every bit best you tin, but the reality is at that place'due south a lot of pressure and stress. But when you're 4-0 upwards at Wembley [last score 4-1] in the European Championship against an unbelievable Netherlands team, with 80,000 singing Football game's Coming Domicile, the adrenaline is then astonishing. You lot can run all twenty-four hours, yous don't want the game to end, information technology's simply the perfect football game match that you dream of all your life. In the 2d one-half, I was actually bustling along to the song while playing. "

Xx five years on, England and English football game feel so different. The England team is one of the most talented this country has produced – a reflection of the quality needed for homegrown players to compete with foreign imports in the Premier League. But the optimism of 1996, partly founded on the belief that finally a change was gonna come up, is long gone. Many people argue that Blair's "third way" ultimately entrenched neoliberal politics.
Today the dominant mood is of fatigued cynicism. "I've just published my latest diaries and chosen it The Ascent and Fall of the Olympic Spirit," Campbell tells me. Anderton believes that while modernistic football is technically ameliorate, it's duller. "I retrieve it was more than entertaining and then, just I'chiliad biased – I loved playing in that era. A lot of games now the first ten minutes is just keeping the brawl, and it'south like a practice match."
As for Delaney, he still loves football just is disillusioned with the Premier League and his club Spurs. His latest moving-picture show was made for the Tottenham Hotspur Supporters' Trust and is called An Open up Letter to the Lath. "We're maxim to the board enough is plenty – you lot tried to motility u.s.a. to Stratford, you tried to put staff on the furlough scheme when the pandemic started, you signed up to the European Super League, you charge the states the highest toll for tickets in Europe, and enough is plenty. We want proper representation on the board. The owners think 'fuck the "legacy" fans; they are not as lucrative as what the potential international Telly audition would exist if they could make certain the big clubs just play each other every week'. Information technology'southward gone too far."
But non all the changes since 1996 are negative. Plans for the Super League were defeated past fan ability. And in that location is a new spirit of resistance, not only from supporters but as well players. Today's footballers are empowered by huge social media followings, and are vocal about the need for modify. Players such equally Marcus Rashford and Raheem Sterling experienced poverty, racism and castigating thrift cuts every bit youngsters, and they're not prepared to see the next generation suffer like they did.
Rashford forced Boris Johnson'southward Conservative regime into successive U-turns on gratis school meals. Now he's candidature to heave child literacy among the state's disadvantaged children. And, as he told me last calendar month, he'southward far from done. "This is only the beginning. I expect to push a lot further than where we are at present." In the 1990s politicians reshaped football. Now footballers are reshaping politics. Nobody could have imagined that in 1996.

And then in that location is the pandemic. Again, nobody could have foreseen back then that Britain would be locked downward for the best part of a year. Merely finally there is promise that the country tin return to some kind of normal. Delaney says that despite, or perhaps considering of, all that's happened recently, if things go well on the pitch we may well see a return of the spirit of 96. "It can happen over again. Nosotros're coming out of the pandemic then everybody's up for a party. Football game is so simple. We all moan and mumble, just actually it's merely about one thing, and that'south winning." Or, in England's case, almost winning.
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Source: https://www.theguardian.com/football/2021/jun/05/never-stopped-me-dreaming-how-euro-96-illuminated-our-world
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